The luminous portraits of the late, undersung artist Cathy Josefowitz are set to have a second life. Hauser & Wirth, with locations across six countries, is now the global representative of Josefowitz and will reintroduce her vision this May with her inaugural solo exhibition in New York.
The Swiss-born, American-raised artist died in 2014, leaving behind a body of work that deconstructed the boundaries between drawing, painting, and performance. Over decades and disparate genres, she mapped the movement of the body in its infinite permutations. Her best pieces chose marginalized people as its subjects, and turned suppressed emotions–lust, longing, anger–inside out via figuration. Josefowitz’s work never tried for realism; it’s the essence, distilled.
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“We’re very honored to join Hauser & Wirth, a gallery whose team has such deep experience and expertise in safeguarding the legacy of artists,” Bettina Moriceau Maillard, the director of the estate, told ARTnews. “It is so meaningful to see Cathy Josefowitz’s work contextualized among a roster of incredible artists such as Louise Bourgeois and Cindy Sherman whom she so greatly admired, and who each inspired her in their own way.”
Josefowitz’s solo exhibition at Hauser & Wirth, entitled “Cathy Josefowitz. Forever Young”, opens on May 11 at the gallery’s Upppr East Side location. It will feature film footage of two of her significant choreographies from the 1980s: Woodstock, a kinetic interpretation of childhood memories in Upstate New York, and the eponymous Forever Young. Also on view will be pastel portraits from the same period and large-scale works from the 1990s, when her figuration began ceding to abstraction that stressed liminal space. Given a cancer diagnosis in 2007, she had turned increasingly to matters of spirit and soul.
“Josefowitz’s oeuvre has been nothing short of a revelation to us,” Manuela Wirth, president of Hauser & Wirth, said in a statement. “This is a rare occasion where we encounter an artist for the first time yet feel we have known her work forever.”
Haunted by the anticipation of an increasingly unpredictable future, Nicolas Grenier’s recent body of work reads as metaphysical landscapes that examine the limits of reality. Informed by the awareness of a progressively quantified existence, Grenier’s visual language relies on both dependency and interference of information classification systems. Through a series of drawings and paintings in varying dimensions, the works emerge from the horizon whose view is obstructed by spatial intervention.
Central to the exhibition is Grenier’s rendition of the world map. Unlike the familiar Mercator projection with disproportionate landmasses, Grenier’s version shifts and alters topographical scales more openly. Spanning across 18 feet and devoid of borders, the reimagined process of territorial mapping indirectly addresses the bias embedded in extractive networks of nationalism and coloniality. Drawn from an angled and aerial perspective—while still embodying a top-down power structure—some areas were resized in relative proximity to more specific regions depicted from true satellite distance. As he includes identifiable landmarks and passing clouds, Grenier plays at the ever-changing nature of looking at, and being in, the world.
In addition to scale, the experience of time is also addressed in Grenier’s drawings. Primarily working with charcoal, Grenier’s architectural and iconographical elements are set against the backdrop of a mystical landscape. Monumental structures and familiar objects appear smaller against the heavenly quality of Grenier’s mountainous terrain and vast skies. If icons stand as evidence of a specific era, the mix of temporal identities—embedded in each drawing—dissolves the significance of our material world. Further guided by shifting perspectives, his drawings allow for an illusionary pull that adds to the corporeal weight of the exhibition.
Juxtaposing the enormity of his more figurative drawings, Grenier also includes vibrant paintings in keeping past painted works. Through a variety of miniature and larger paintings, he demonstrates mastery over colour and dimension by playing with tone. Seamlessly transitioning between neutral and vibrant colours, the works are reminiscent of dreamscapes that contribute to an imagery of concealment. In catastrophizing the scale of images selected through data collection and material hybridity, the exhibition alludes to a rhetoric of eternity that invites us to stand against the edge of a substantial abyss. —Vania Djelani
at Bradley Ertaskiran, Montréal until April 22, 2023
Conceived specifically for the Bunker, El Siddique’s immersive sensorial environment features multi-tiered steel architecture interspersed with sculptural forms made from water, clay, metal, and oil, all undergoing entropic transformation. “that which trembles wavers” manifests El Siddique’s ongoing investigation into Egyptian and Nubian myth and history, notably the transcultural exchanges and embedded power dynamics, reinterpreted through poetic materiality.
Egyptian culture fuelled the European imagination as 19th-century colonial expeditions spurred a frenzy for collectables. Aptly coined Egyptomania, this period spearheaded a mass excavation of archeological treasures, and with it, cultural erasure in favour of the classification and accumulation of objects, which constitute Western museum collections to this day. Centuries of looting across the African continent, marked by a craze for cultural goods and a conquering of peoples and their wealth, call for a slow look backwards, a need to unearth alternative or forgotten histories, myths, and memories. El Siddique’s artworks, evidence of a material dexterity ripe with possibility and discovery, aim to erode the stories and knowledge systems that are immortalized into history and reveal those which have been left behind.
Past and present conflate in a slow burn of steel, black porcelain, and scented oil. Fractured ceramic urns and hand-cast African masks rest on blackened steel mounts, mimicking a sort of precious display method that has come to be associated with ethnographic museological exhibits. Nearby rust paintings feature intricate, oxidizing images of carved mirrors excavated from Nubia and Egypt, pulled from the artist’s visual repertoire. True to the sensorial alchemy in which El Siddique has become known, heat-activated scent chambers release Sandalwood throughout the room, a nod to the artist’s research into ancient Sudanese perfumery. El Siddique’s work exists in the slippages between personal and archival, a reinterpretation of history that prioritizes fluidity and change over rigidity and permanence.
Seated upon a raised steel platform, surrounded by corroding metal scaffolding, is a monumental double-headed snake, a symbol of power adorning Egyptian and Nubian artifacts alike. Made of bisque-fired porcelain, the giant serpent degrades and tarnishes in real time due to the slow drip of the overhead irrigation system. Navigating El Siddique’s multilayered installation, viewers are met with sensorial curiosities, as if exploring a vast mausoleum. Yet, unlike the longevity attributed to monuments and artifacts, carved into stone and conserved in museum vaults, El Siddique’s artworks are ruins in constant states of becoming. Poignantly unpredictable, her work welcomes transformation and questions the permeability of relics and the colonial legacies they embody.
at Bradley Ertaskiran, Montréal until April 22, 2023
New Discoveries in Contemporary Photography — LensCulture Award Winners at Photo London
LensCulture is thrilled to present the work of 60 remarkable photographers in an expansive group exhibition at Photo London, May 10-14, 2023.
The show pulls together the top winners of LensCulture’s year-long awards programs, and represents the richly diverse contemporary photographic practices of artists working across 25 countries on five continents.
Visitors will discover a wide variety of creative approaches, including street photography, portraits, black-and-white, fine art, alternative processes, mixed media, conceptual, abstract and experimental work.
We’re thrilled to have the opportunity to share this noteworthy work with thousands of international photography lovers, collectors, and industry experts who will be in the city for the UK’s largest art fair dedicated to photography.
Please join us! We hope to meet many members of the LensCulture community in London. It’s going to be inspiring!
he Black Shark 5 Pro might not redesign the wheel, but it ticks all the boxes for gamers: it has a buttery smooth 144Hz refresh rate, top-level performance, gaming-specific features like magnetic triggers and gesture-activated shortcuts plus much more.
The 120W charging, while unchanged, provides some of the snappiest charging times around achieving a full 100% charge in under 30 minutes, though the downside is a smaller battery than alternatives.
Unlike the touch-based triggers of some rivals, the Black Shark 5 Pro has magnetic triggers that pop up from the body of the phone for a more traditional controller experience, making for a great portable gaming experience without the need to carry additional accessories.
Though not usually a focus for gaming phones, the Black Shark 5 Pro has an impressive 108Mp rear-facing camera that’s capable of taking decent snaps, though the decision to include autofocus capabilities to the macro lens and not the more popular 120-degree ultra-wide is an odd decision that leaves some ultrawide shots looking a little soft.
It is more expensive than the competing Red Magic 7 Pro, but the magnetic triggers, in particular, make the Black Shark 5 Pro a compelling gaming smartphone that negates the need for a controller in many games.
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The Headlines
EMILY FISHER LANDAU, the influential art collector and patron, died on Monday at the age of 102, Joseph Giovannini reports in the New York Times. Landau famously got her start as an art buyer after thieves broke into her Manhattan apartment and made off with a trove of jewelry. She plowed the insurance funds into art, acquiring key modernists and then contemporary figures. Her holdings came to include well more than 1,000 pieces, and she donated nearly 400 to the Whitney Museum in 2010. Landau, a mainstay on the ARTnews Top 200 Collectors list, was a longtime supporter of the institution, and also created an endowment for the Whitney Biennial. From 1991 to 2017, her Fisher Landau Center for Art in Queens showcased selections from her revered collection. “She was not just buying because it would go up in value,” dealer Barbara Gladstone told the Times. “That’s a wonderfully old-fashioned tradition.”
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EMILY FISHER LANDAU, the influential art collector and patron, died on Monday at the age of 102, Joseph Giovannini reports in the New York Times. Landau famously got her start as an art buyer after thieves broke into her Manhattan apartment and made off with a trove of jewelry. She plowed the insurance funds into art, acquiring key modernists and then contemporary figures. Her holdings came to include well more than 1,000 pieces, and she donated nearly 400 to the Whitney Museum in 2010. Landau, a mainstay on the ARTnews Top 200 Collectors list, was a longtime supporter of the institution, and also created an endowment for the Whitney Biennial. From 1991 to 2017, her Fisher Landau Center for Art in Queens showcased selections from her revered collection. “She was not just buying because it would go up in value,” dealer Barbara Gladstone told the Times. “That’s a wonderfully old-fashioned tradition.”
The Digest
A Gustave Courbet landscape in the collection of the Fitzwilliam Museum in Cambridge, England, will be returned to the heirs of a Jewish engineer who held it in Paris until around 1940, after a British advisory panel determined it had been looted by the Nazis. That prior owner, Robert Bing, had fled the city right before its invasion. [The New York Times]
Photos have appeared of leaks at the National Gallery of Australia in Canberra being addressed with buckets and towels, which the Brisbane art dealer Philip Bacon termed “a national disgrace, and I don’t use that term lightly.” The museum has said that it needs AU$265 million (about US$177.6 million) over 10 years to fix up its home. [The Sydney Morning Herald]
The artist Ann Wilson, who made inventive abstractions on quilts, died earlier this month at 91. Wilson was the last living member of the storied gang of artists who lived and worked on Coenties Slip in Lower Manhattan in the mid-1950s, including Robert Indiana and Ellsworth Kelly. [The New York Times]
Artist Tracey Emin has officially inaugurated her new art school and studio in Margate, England. The artist has been battling cancer and is “a good halfway . . . to getting the all-clear,” Jonathan Jones reports. Emin said, “One good thing that cancer does: when you get through the other side you really appreciate life.” [The Guardian]
After a showdown of some two years, the Walters Art Museum in Baltimore signed a deal with its employees that will clear the way for them to form a roughly 90-member union. The two sides had disagreed about what form that collective-bargaining arrangement should take. [The Baltimore Sun]
The 2022–24 Max Mara Art Prize for Women has gone to sculptor and installation artist Dominique White, who works between Essex, England, and Marseille, France. White will have a six-month residency in Italy and do a 2024 show at the Whitechapel Gallery in London that will travel to the Italian Republic. [Ocula and The Guardian]
The Kicker
PRESENTNESS IS GRACE. Journalist Ari Shapiro, the co-host of NPR’s All Things Considered, shared with Bloombergsome of his travel favorites: his Victorinox black quilted vest, a hotel that loans yoga mats, and buying flowers for the room. Also, he relayed the advice that an unnamed curator at the Met once gave him about how to approach a gargantuan art museum. “Stroll through the galleries until you see something that you can’t look away from,” she told him, “and then stop in front of that thing and spend a full five minutes just looking at it.” A very wise approach. [Bloomberg]
If you’ve been waiting to upgrade your home security, now is the time as Ring is offering some of the biggest and best deals around on alarms and cameras for spring.
Right now, you can get a whopping £110 off a bundle deal that includes a five-piece alarm kit and indoor camera, giving you 41% off for a limited time.
For just £159.99, you’ll get the 2nd Gen alarm kit, which includes a base station, alarm keypad, contact sensor, motion detector, alarm range extender – and, of course, the indoor camera.
Get the deal at Ring
Ring
If you have a larger home, you can get the medium size kit, which comes with two contact sensors and motion detectors for £229.99, down from £389.93, saving you £159.94. Or you can opt for the large kit, with four contact sensors and three motion detectors for £229.99, down from £389.93 – also saving £159.94.
The deal runs until 11 April on Ring. For the next few days, you can get the same discount from Amazon, in its Spring Sale.
If you’re in the US, Ring does have some smaller discounts available on its alarm kits at the moment – but the best deals are on its bigger kits, and only up to 21%. There’s $89.91 off its 14-piece kit, bringing the price down to $329.99. See them all at Ring.
The best camera deals are on Ring’s outdoor security camera, the Stick Up Cam. You can purchase a pair of them from Ring right now for £109.98, saving £70 (39% off). A single camera is available from Ring for £59.99, down from £89.99, saving £30.
Ring
If you live in a flat, you might want to check out the deal on the Ring Intercom, which is down to £69.99, from £119.99, saving £50 (42% off). Get this device and you can upgrade your audio intercom to speak to visitors and buzz them in remotely, via the Ring app.
You can browse all the home security products in the spring sale at Ring. And if you’re in the market for a video doorbell, browse our top picks in our round-up of the best video doorbells we’ve tested.
Captain Pike and his crew are coming back for another season of Strange New Worlds, one of the newer Star Trek shows in a raft of series in what’s fast becoming a new golden age for the franchise.
Strange New Worlds picks up a few key cast members from the second season of Discovery to explore the adventures of the USS Enterprise before Kirk inherited the captain’s chair. Here is everything we know about the next season.
When is the release date for Star Trek: Strange New Worlds season 2?
Paramount+ has confirmed that the second season of Strange New Worlds will air on 15 June 2023, with ten episodes in total. These will likely roll out weekly.
The show has also been renewed for ten more episodes, which means we will also be getting a third season in the future.
It’s not the last Trek show on the way though – we still have the teased Star Trek: Section 31 spin-off starring Michelle Yeoh in the pipeline, and animated comedy Star Trek: Lower Decks will return for its third season this summer.
Is there a trailer for Star Trek: Strange New Worlds season 2?
There isn’t yet a full trailer for the new season, but there is a first look focusing on Erica Ortega:
How can I watch Star Trek: Strange New Worlds?
In the UK, US, Latin America, Australia, and the Nordics, you’ll want to use Paramount+, while in Canada the show is on the CTV Sci-Fi Channel and Crave. UK Sky customers can get Paramount+ for free.
Outside those markets, for the most part you’ll have to wait until Paramount+ launches where you are in order to watch the show officially.
If you don’t want to wait, the good news is that there is a way to watch Paramount+ from other countries in the meantime. It’ll take a VPN and a little bit of effort, but that’s probably better than having the whole show spoiled for you by fans from other countries.
Who are the cast and crew of Star Trek: Strange New Worlds?
Here’s the current ship’s roster from season one – we expect most of these to return in season two:
Captain Christopher Pike: Anson Mount
Number One: Rebecca Romijn
Spock: Ethan Peck
Dr. M’Benga: Babs Olusanmokun
Nurse Christine Chapel: Jess Bush
Cadet Nyota Uhura: Celia Rose Gooding
La’an Noonien-Singh: Christina Chong
Erica Ortegas: Melissa Navia
In addition to the returning cast, there is a huge addition for season two: Paul Wesley will appear in the show playing one James T Kirk after guest starring in the season one finale.
Wesley talked a little more about Kirk’s role to at comic-con: “We only saw Kirk really for a handful of scenes in the finale. That specific episode was fairly intense, and if you watch the original ‘Balance of Terror’, Kirk is quite intense in that episode.
“I’m looking forward to viewers seeing a different side of Kirk – and certainly not an alternate timeline Kirk, but a lieutenant. So he’s a much younger Kirk. He certainly hasn’t developed into the Captain Kirk that we know.”
Therefore, we expect his role to be more involved that just a cameo this time around.
As for behind the camera, here’s who we believe will be back:
Director: Akiva Goldsman
Writer: Akiva Goldsman
Writer: Alex Kurtzman
Writer: Jenny Lumet
What is the plot of Star Trek: Strange New Worlds season 2?
There is a lot in store for Strange New Worlds season two. Showrunner Akiva Goldsman has teased a “bigger and better” season two, with more major plot swings than what we’ve seen before. The biggest will likely come from the introduction of Kirk, who we believe will be shaking things up on the USS Enterprise.
There will be more genre-bending episodes according to Collider. This is further supported by the confirmation that there will be a bizarre crossover with the animated series Star Trek: Lower Decks at comic-con. The Strange New Worlds crew will still be in their live-action forms – though Mount did joke that we would see a “an extremely buff two-dimensional version” of Pike.
At the end of last season, Number One was imprisoned for lying about being an Illyrian to Starfleet. Co-showrunner Henry Alonso Myers told Inverse that this is a subject that is “hanging over everything”. This, combined with Hemmer’s death and La’an’s departure will create numerous serialised plot threads. However, rest assured the viewers can still expect the usual adventure of the week style episodes.
Ethan Peck also teased at comic-con that there are some big things in store for Spock: “…we’ll see Spock really wrestle with his human side much more. He will continue his experimentation with his human emotions, and it will sort of lead to fundamental changes in some very important relationships in his life.”
We will also see a different version of Pike in the next season, after being visited by his older self. Mount told Esquire the following: “I would say he’s more resolute after the finale of Season One… when he realizes there’s no honorable way out, that’s a relief. The older Pike made it very clear: you still have a choice. But to somebody like Pike, it isn’t a choice. So this is a choice that almost makes itself, and it is a tremendous relief. He doesn’t have to worry about it anymore. His job now is to make every day count as much as possible. There’s a lot of freedom in that.”
As Passover approaches, many jewish people avoid wheat and gluten products, to serve as a reminder of the meaning of the holiday. But that doesn’t mean not indulging in gluten-free baked goods. So, here are some local bakeries serving up gluten-free goods, and many prepared in a celiac-safe kitchen.
This list is not exhaustive, and serves a suggestion of gluten-free spots for passover-observers and gluten-free pastry lovers.
Sift Gluten Free is a well known South Minneapolis bakery, serving up a variety of gluten-free baked goods. Besides their charming home base, they also sell wholesale to many cafes and restaurants across the Twin Cities. Check out a range of their stockists here.
Atuvava is another stellar GF bakery, and it was born out of a labor of love. Owner Alex became a gluten-free baker when his seven-year-old daughter was diagnosed with Celiac Disease. He was diagnosed shortly after, and set out to create gluten-free bread and baked goods for their family. They carry a wide variety of gluten-free loaves, well-loved muffins and scones, and cookies.
Hold the Wheat is a quaint gluten-free bakery in St. Louis Park, easy to find with its bright orange door and logo. They specialize in sweeter pastry goods like spencer cakes, pies, cookies, and lemon squares that look particularly appealing.
Edwards Dessert Kitchen specializes in finely crafted pastry goods, with a range of gluten-free and gluten-full desserts on the menu. From mango-lassi cheesecakes to gluten-free chocolate chip cookies, these are beautiful desserts to pick up for a Seder dessert.
Hark! Cafe is both vegan and gluten-free, so you can hit two birds with one scone at this bakery. They even have gluten-free bagels, and if you’re looking to do your own baking they can get you started with pre-made mixes.
Considering buying a new gaming phone? There’s now one less company to choose from.
In a statement to Android Authority, Lenovo has confirmed that it is longer making Legion gaming phones. The company has discontinued the line, with an spokesperson describing it as “part of a wider business transformation and gaming portfolio consolidation”.
But Lenovo goes on to say that it’s “committed to advancing the gaming category across form factors”, suggesting other Legion products will be unaffected. Legion is one of the most recognisable brands among gaming laptops, desktop PCs, and other accessories, and there’s no sign of it suffering a similar fate.
The move means August’s Legion Y70 was the final phone in the series, although none of the recent handsets have made it outside China. Just two years ago, the Legion Phone Duel 2 arrived in Europe as one of the most talked about gaming phones thanks to novel design including two batteries and a landscape, pop-up selfie camera.
Lenovo
2020’s original Duel was the first gaming phone Lenovo ever made. After a total of seven handsets in just three years, the company has called it quits.
What’s more, it might not be the only gaming phone brand to make an exit in 2023. According to China Star Market, financial issues at Xiaomi’s Black Shark sub-brand led to around half of its employees being made redundant in October. A translation of leaker Digital Chat Station’s February Weibo post hints that a follow-up to the Black Shark 5 Pro may never see the light of day.
Those moves come as part of a tough time for the phone industry as a whole. Just this week it was also rumoured that Chinese phone giant Oppo and its subsidiary OnePlus were ready to pull out of key European markets including the UK, though both companies have denied the report in official statements to Tech Advisor.
With early pioneers Razer having already stopped making gaming phones, what are your alternatives? Two brands – Nubia’s Red Magic and Asus’ ROG Phone – are the leading players, although Vivo’s iQoo and even Poco have made useful alternatives recently.
With the Red Magic 8 Pro still relatively new and the ROG Phone 7 on the horizon, dedicated gaming handsets still seem to have a future, even with Lenovo’s Legion out of the picture.
You’ll find variations on the dish in Thai, Vietnamese, and Hmong cultures, with different ingredients for the stuffing. But the deboned wing is essentially stuffed with ingredients that go in egg rolls: ground pork, cabbage, mushrooms, carrots, and glass noodles.
Pro Skills
There’s an art to the deboning, making this dish a labor of love. The key is to not puncture the skin and to keep the drumette intact, making a pocket into which you put the good stuff before wrapping it up and cooking.
Glass Noodles
The thin noodles, sometimes called vermicelli or glass noodles, used to stuff the chicken are usually made from mung bean starch. Also known as cellophane noodles, their color can range from a cloudy opaque white to transparent. They’re typically gluten-free.
Dippable
Sauces may depend on the vendor, but you can find oyster sauce, sweet and sour sauce, nuoc cham, or a spicy fish-sauce caramel used to finish the wings.
Best Side
You can find more than a few stuffed chicken wings and drummies at Hmong Village. Bite into crispy skin, juicy chicken, and richly seasoned egg roll filling. Don’t forget the sticky rice as a side.
Level Up
At Yia Vang’s Slurp noodle pop-up in Uptown, he riffed on the stuffed-wing tradition with a fully stuffed duck. After deboning the duck, Vang stuffed it with noodles and seasonings and then stitched it together before cooking. “We’re looking for fun ways to level up, and this riff on the wings let us take it up a notch. We served it as a family-style dish with lots of little dishes on the side.”
Stephanie March
Food and Dining editor Stephanie March writes and edits Mpls.St.Paul Magazine’s Eat + Drink section. She can also be heard Saturdays on her myTalk107.1 radio show, Weekly Dish, where she talks about the Twin Cities food scene.
Star Trek: Lower Decks – the popular adult animated show set in the Star Trek universe – is coming back for another season.
If you’d like to know when it will be returning and how to watch previous seasons, then we have everything you need to know. We also have a similar article for Star Trek: Discovery, and a guide on how to watch the Star Trek films and shows in order if you want to become a fully-fledged trekkie yourself.
When does Star Trek: Lower Decks season 4 start?
The fourth season of Lower Decks is due to arrive in late Summer 2023, with the exact date to be confirmed.
In addition, the show has also been renewed for a fifth season, so there is plenty to look forward to.
There isn’t yet a trailer for season 4. However, you can watch the official season 3 trailer below:
Where will Star Trek: Lower Decks season 4 air in the UK?
We don’t yet have confirmation on where the next season of Star Trek: Lower Decks will be airing in the UK, but there are two likely candidates.
Previous seasons of the show have been shown on Prime Video in the UK, Australia, New Zealand, Europe, Japan and India. You can watch first three seasons of Lower Decks on this streaming platform right now.
You can sign up for an Amazon Prime Video subscription for £5.99 per month for the standalone steaming service, or £7.99 per month for a full Prime subscription which offers next-day delivery, e-books, music and access to flash sales such as Prime Day.
You can sign up for either of these over on the Amazon website. Plans are slightly cheaper if you commit to a 12-month subscription. In addition, there’s a 30-day free trial available for new subscribers.
In the US, Star Trek: Lower Decks is available on Paramount+, a streaming platform with two tiers – $4.99 per month for ad-supported content and $9.99 per month for ad-free (along with offline downloads) as well as a seven-day free trial for both subscriptions.
Paramount+ is also available in the UK, costing £6.99 per month with a seven-day free trial. There is a possibility that Lower Decks will move to the UK version of the platform, but this depends on licensing agreements.
We’ll likely learn more closer to the release of season four.
