Working an image from the zoo

Working an image from the zoo

I made this image capture when I was teaching my week long Texas School Class while we visited the Fort Worth Zoo. I didn’t have time to make sure my captures were “spot on” as I was helping my students. Soooo, my captures were somewhat less than stellar, which leads to today’s article. Just because an image is not exposed well doesn’t mean there isn’t enough detail to work if you photograph in RAW.

Capture

It’s always best to get things right “in camera” if at all possible. I usually share lessons on enhancing photos, not fixing, in post-production. Sometimes, at the end of the day, that’s an image you want regardless.

Here’s the straight out of camera image. It is overexposed and can use a bit of help.

Photoshop

For me, it’s Adobe Photoshop to the rescue. Using Layers, Blend Modes, Masks and Adjustment Layers I go to work. You’ll want to do what you can in Adobe Camera RAW (ACR) or Lightroom (LR) if that’s where you start. ACR and LR have the same basic tools, but they are laid out different and call for a slightly different workflow. In ACR’s Open command, the file automatically opens in Photoshop. In LR you’ll need to tell it to open in Photoshop.

Layers palette from the gorilla image in Adobe Photoshop. Layers, Blend Modes, Masks and Adjustment layers bring the photo to life. I also added a texture layer to add a bit of interest.

To increase contrast consistently across the entire image I recommend making a copy of the layer and changing the Blend Mode to Multiply. This has the effect of darkening the photo by one full stop. If that is too much you can lower the opacity of the layer to taste. 33% opacity is 1/3rd of a stop change. 66% 2/3rds of a stop. But the beauty of Photoshop is you don’t need to know numbers. Just play with opacity and what you see is what you get.

Final image after the Photoshop work.

Additional processing

For dodging and burning I created a blank layer set to Soft Light Mode. When you use a brush tool with a low opacity painting with black burns (darkens) in the image and white dodges (lightens). I suggest using a soft edged brush so the work blends well. It takes a little getting used to but it becomes a very powerful technique.

After all the work was done in bringing the image around I decided to check out how it would render in black and white. Adding a Black and White Adjustment Layer made it easy. It also allows you to dial in more tone information using color sliders within the tool.

Yours in Creative Photography,

Bob

P.S. The Texas School of Professional Photography is held in Addison, TX at the end of April. You get to spend a whole week with a single instructor so you get a deep dive in whatever subject interests you. Sign up is on January 3rd at 11PM Central time and usually folks are standing by to get the instructor of their choice. Many sell out quickly. If I’m invited back next year I’ll have a beginner to intermediate class on Macro, landscapre, wildlife and nature class. We travel to different locations and work on Photoshop as well.

Source link

We use cookies to give you the best online experience. By agreeing you accept the use of cookies in accordance with our cookie policy.

Close Popup
Privacy Settings saved!
Privacy Settings

When you visit any web site, it may store or retrieve information on your browser, mostly in the form of cookies. Control your personal Cookie Services here.

These cookies are necessary for the website to function and cannot be switched off in our systems.

Technical Cookies
In order to use this website we use the following technically required cookies
  • wordpress_test_cookie
  • wordpress_logged_in_
  • wordpress_sec

WooCommerce
We use WooCommerce as a shopping system. For cart and order processing 2 cookies will be stored. This cookies are strictly necessary and can not be turned off.
  • woocommerce_cart_hash
  • woocommerce_items_in_cart

Decline all Services
Save
Accept all Services
Open Privacy settings