VENICE 2022 – Artforum International

IT’S NO EXAGGERATION to say that the 127-year-old Venice Biennale is the standard against which every major international art exhibition is judged. So when the fifty-ninth edition finally arrived in April, its opening delayed a year by Covid-19, all eyes turned to the ancient City of Masks to see what kind of future the pandemic might engender.

Curator Cecilia Alemani’s “The Milk of Dreams,” the event’s polestar, forcefully yet subtly engages canonical prejudices. In the pages that follow, Artforum associate editor CHLOE WYMA and contributing editor DANIEL BIRNBAUM reckon with Alemani’s phantasmagoric show, while artist KEN OKIISHI reflects on another of the city’s touchstones: Udo Kittelmann and Taryn Simon’s coyly cerebral “Human Brains: It Begins with an Idea” at the Fondazione Prada’s Venetian headquarters.

The Fifty-Ninth Venice Biennale and “Human Brains: It Begins with an Idea” are on view through November 27.

Source link

We use cookies to give you the best online experience. By agreeing you accept the use of cookies in accordance with our cookie policy.

Close Popup
Privacy Settings saved!
Privacy Settings

When you visit any web site, it may store or retrieve information on your browser, mostly in the form of cookies. Control your personal Cookie Services here.

These cookies are necessary for the website to function and cannot be switched off in our systems.

Technical Cookies
In order to use this website we use the following technically required cookies
  • wordpress_test_cookie
  • wordpress_logged_in_
  • wordpress_sec

We use WooCommerce as a shopping system. For cart and order processing 2 cookies will be stored. This cookies are strictly necessary and can not be turned off.
  • woocommerce_cart_hash
  • woocommerce_items_in_cart

Decline all Services
Accept all Services
Open Privacy settings